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With their adult children away at college, their life is a constant round of art deals and dinner parties. Upper East Siders, Flan (Donald Sutherland) and Ouisa (Stockard Channing) Kittredge are an affluent couple who have reached the pinnacle of success. Its theatrical roots are very apparent, but it is well worth revisiting not just because of the intriguing take up of its title, but for its satiric take on the notion that people who live in the same country can still be worlds apart. The film, directed by expat Australian director Fred Schepisi, is a sharp, funny, and acutely observed comedy of manners. There have been media reports since that the thesis is verifiable and correct, and that we are connected, by five to seven informal acquaintances, to every other person in the world. Six Degrees wasn't a new idea when screenwriter John Guare put it forward in his play of the same name, on which this film is based. And there's another one that's trending, from the title of George Cukor's 1944 thriller 'gaslight' has become a shorthand for an insidious type of psychological abuse. A name for a list of must-see travel destinations before you kick the bucket has caught on, as has the idea of being caught in a time loop of repetitive routine. Other movies come to mind, like Groundhog Day and Bucket List, but there aren't many more. When it first came out, the film had a catchy idea and title to match, and now has the distinction of becoming part of our lexicon. In the age of the coronavirus pandemic, the idea that we are interconnected to a degree we had never realised doesn't seem far-fetched at all.
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Six Degrees of Separation, the 1993 film currently streaming on Stan, proposes the idea that people are only six connections away from each other.